The History of the Soviet Experience
Let’s Call It an Escape
At the Russian Museum during the making of The Frozen Theater, Archival interviewed Dr. Alexander Borovsky, Head of the Department of Contemporary Art at the State Russian Museum, Saint Petersburg.
“Socialist realism was part of Soviet mentality, and it was an art representing how things must be: what is real love, what is real patriotism, what is real beauty, and this life was much better than real life. It was a propagandistic concept” describes Dr. Alexander Borovsky, Head of the Department of Contemporary Art at the State Russian Museum, Saint Petersburg.
Of course, in the 30s and 40s there were a lot of artists who were not official artists at all. Some made a small exile for themselves. They made beautiful things in this ‘exile.’ Let’s call it ‘exile,’ or let’s call it an ‘escape,’’ examines Borovsky. “But they never understood themselves as a special political force” he qualifies. Alexander Borovsky has authored over 200 publications on Russian art and supervised over 100 art exhibitions. “Yet in the late 50s, for the first time, people started to understand that they didn’t want to act like normal members of the Artist Union, to play their games. In reality they experienced institutional problems such as the need for places to exhibit their work; they needed money; they needed the possibility to sell their paintings; and they needed the possibility to show their own picture of the world.”
they never got permission to take the one stone
Yet, in totalitarian society, if you “take one stone from a building the entire building can collapse. That’s why I understand the fire of this struggle” or provocation between the “unofficial artists and the ideological leadership” explains the art historian, because they “never got permission to take the one stone. This was a period of two stones coming together to make a fire” Borovsky illustrates.
Inside the Russian Museum is Grisha Bruskin’s Cultural Archeology, an early art installation. “In Grisha’s first illusion, it’s really made like Soviet propaganda. It seems like you can use it in stationery of the Politburo, but then you understand that it is totally anti-logo, anti-symbol, anti-communist, and much more deep… relating to the universal world” says Borovsky.
Archival also filmed the Marble Room which had just recently been restored to its preSoviet condition. The room casually appears in the quick revolutionary scenes of The Frozen Theater documentary film.